Giovanni Pierluigi da Palestrina - перевод на Английский
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Giovanni Pierluigi da Palestrina - перевод на Английский

ITALIAN RENAISSANCE COMPOSER (C. 1525–1594)
Giovanni Periluigi da Palestrina; Giovanni pierluigi da palestrina; Giovanni Pierluigi de Palestrina; Palestrina, Giovanni Periluigi da; Da Palestrina; Giovanni Palestrina; Giovanni Pierluigi Da Palestrina; Pierluigi da Palestrina; Palestrina, Giovanni Pierluigi da; G. P. A. de Palestrina; Pierluigi Da Palestrina; Giovanni da Palestrina; Giovanni Perluigi du Palestrina; Giovanni Pierluigi
  • Giovanni Pierluigi da Palestrina
  • Missa Papae Marcelli – Kyrie
  • Portrait of Giovanni Pierluigi da Palestrina, 16th century
  • St John Lateran]], Rome, where Palestrina was musical director

Giovanni Pierluigi da Palestrina         
n. Giovanni Pierluigi da Palestrina (1525-1595), compositore italiano
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MUNICIPALITY OF VIETNAM
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n. Da Nang, città del Vietnam centrale
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ITALIAN RENAISSANCE POLYMATH (1452−1519)
Leonardo de Vinci; Leonardo DaVinci; Leonardo Da Vinci; Da Vinci; Davinci; DaVinci; Leonardo Davinchi; Leonardo Davinci; Leonardo di ser Piero da Vinci; Leonardo da vinci; Leonardo daVinci; Leonardo di Ser Piero da Vinci; Vinci, Leonardo di Ser Piero da; Da vinci; Leonardo da Vinci's workshop; Leonard da Vinci; Leonardo da Vinchi; The Great Leonardo; Léonard de Vinci; Leonard de Vinci; L. Da Vinci; Leanardo da vinci; Leonardo Da Vinchi; Leonardo De Vinci; Leonardo Di Vinci; Léonardo Da Vinci; Leo da vinci; Caterina Buti del Vacca; Leonardo da Vinci Notebooks; Da Vincian; Leonardo Abince
n. Leonardo Da Vinci (pittore, geometra, inventore, saggio, ha pitturato la "monna Lisa" )

Определение

DA
Digital-to-Analog (Reference: D/A), "Style: D/A"

Википедия

Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.

Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to Grove Music Online, Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement."